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PASADENA, Calif. — To say the casting of “One Day at a Time” was agape alongside aback Netflix canceled the appearance in March 2019 is an understatement.

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Like the blow of the cast, Stephen Tobolowsky, who plays Dr. Leslie Berkowitz on the comedy, heard the account not continued afore it became accessible (and began trending on Twitter). He was about to blur a arena of the ABC ball “The Goldbergs,” and he was so abiding “One Day at a Time” was about to get a fourth division that he affably answered the fizz aback the showrunners, Gloria Calderón Kellett and Mike Royce, alleged him.

“I best it up and Gloria said, ‘Our little appearance — they pulled the plug.’” Then there was a beating on the door: “‘Stephen, we’re accessible for you.’” Tobolowsky struggled to accomplish the alteration from accepting that gut bite to actuality funny on camera.

“I was like, ‘I’m traumatized, and I’m activity to charge a lot of able advice aloof to get through this moment,’” he recalled.

Justina Machado, who plays the nurse, Army adept and mother Penelope Alvarez on the comedy, said that aback her accompany heard the news, they were “so mad. They were emotional.”

Part of the anger, Machado said, was over what that account represented. As the announcer Vanessa Erazo acclaimed in a Times Op-Ed anon afterwards “One Day” was canceled, Hispanic bodies fabricated up an estimated 18 percent of the population, but Hispanic roles constituted aloof 7.2 percent of all roles in scripted animate alternation — and alike beneath on advertisement and cable.

“It’s the belief that we’re cogent and how they’re seeing themselves represented on the screen” that fabricated this added than aloof accession cancellation, Machado said in an account with casting associates during the Television Critics Association columnist tour, in January. The appearance had become commodity “beyond a job.”

Todd Grinnell, who plays the show’s amiable landlord, Schneider, acclaimed the irony of actuality canceled by Netflix, “the abode that usually saves the appearance that the arrangement has casting aside.”

“We weren’t casting aside,” he added. “But this was the reverse.”

But Rita Moreno wasn’t accepting it. “Yes, we were!” she said, aural abundant like the dogged dame she plays on the show.

The social-media clamor at the time was intense, as was the acknowledgment from TV critics, who wrote dozens of pieces about the show’s abandoning and why it adapted to be rescued. But the best important acknowledgment was the one that came from Sony Pictures Television, which produces the series.

The day the showrunners begin out Netflix didn’t appetite a fourth season, Royce said, Sony admiral “called us and they’re like, ‘We’re accepting this appearance on somewhere.’”

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That about concluded up actuality Pop TV, the cable access endemic by ViacomCBS that is best accepted for the arbitrary Canadian ball “Schitt’s Creek.” On Tuesday, “One Day at a Time” debuts at its new home aloof over a year afterwards Netflix cut it loose. The fourth division picks up as the ancestors answers questions from a demography artisan played by Ray Romano (and takes a slight dig at Netflix, as well).

The actuality that “One Day at a Time” was canceled at all still seems hasty accustomed its adherent admirers and able premise. The cancellation, afterwards 39 episodes, was crushing because “we aloof got started, really,” said Royce, who had been an controlling ambassador on “Everybody Loves Raymond,” amid added shows.

If a ancestors ball is successful, the admirers wants to “live in that apple and adhere out with that family,” Royce said. “But we alone got to adhere out for a little while.”

Netflix, which beneath to animadversion for this article, adumbrated at the time that whatever the audience’s devotion, its admeasurement was aloof too small. In a Twitter account about the cancellation, Netflix, which does not absolution abundant examination abstracts for its programs, artlessly said that “not abundant bodies watched to absolve accession season.” (Moreno said that account had led her to wonder: “What are the numbers that would amuse you? We aren’t buried to that.”)

But area Netflix saw an underperforming show, David Nevins, the arch artistic administrator of CBS and arch controlling of Showtime Networks, saw opportunity. He had acquired blank over Pop TV aloof canicule afore the abandoning was announced.

“I anticipate Netflix acutely has a archetypal area they feel they’re accepting amount out of [shows] in the aboriginal brace of seasons and they don’t accept that abundant allurement to go the continued haul,” he said. That may be the adapted accommodation in abounding cases, he added, but “the programmer in me anticipation it had beginning potential.”

As its fate afraid in the balance, “One Day at a Time” had a lot of things activity for it: an animate and committed fan base, reporters and critics invested in the show’s adaptation and media-savvy creators and casting members. And at a time aback audiences — and abounding admiral — amount nuanced representations of historically marginalized groups, the alternation was one of few shows with a predominantly Hispanic cast, as able-bodied as several L.G.B.T.Q. characters.

“I wasn’t activity to blow until we begin a new home for the show,” said Jeff Frost, the admiral of Sony Pictures Television. “It’s not aloof an ball show. It transcends that.”

For all the show’s admirable qualities, its adaptation is additionally a artefact of a assemblage of industry circumstances. In March 2019, Pop TV was in the bazaar for a high-profile accretion to alter “Schitt’s Creek.” (The arrangement appear backward that ages that the show’s sixth division would be its last.) And like Nevins, Brad Schwartz, the admiral of Pop, was already a fan of “One Day at a Time.”

It additionally helped that Sony was added motivated than abounding studios to accumulate its programs alive. Increasingly, TV studios accord to companies that additionally accomplish networks or animate platforms, and those studios can usually await aloft their accumulated parents or ancestors to access and renew abundant of their output. Sony has become a rarity: a television flat afterwards those kinds of accumulated familial connections.

“I formed at ABC and ABC Studios for years, and there, you knew if a activity went away, there’d consistently be accession activity that came along,” Frost said. “Whereas for us, every one of these shows, they’re our children.”

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Perhaps it’s added adapted to accredit to “One Day at a Time” as an adult, accustomed that the acreage is 45 years old.

The aboriginal adaptation told the adventure of a white ancestors in Indianapolis headed by a distinct mother, one of a cord of iconic Norman Lear-produced comedies — including “All in the Family” and “Good Times” — that debuted in the 1970s.

The new incarnation, which counts Lear as an controlling producer, revolves about the tight-knit Cuban-American Alvarez association in Los Angeles. Despite the changes, “One Day at a Time” hews to the traditions of the best multicamera comedies: It is attempt on a soundstage, the soundtrack includes amusement from a alive audience, and the writers and casting expertly alloy able jokes and aboveboard sentiment.

“We’re aggravating to accomplish bodies feel better,” Calderón Kellett said. “You’re laughing, but it’s ultimately a hug.”

All things considered, the ball is “radical aural a actual safe and adequate form,” Nevins said. Aback account of the abandoning came out, he said his “first anticipation was, this could be an adorable cable disciplinarian for CBS All Access.”

That would accept been a full-circle moment, accustomed that the aboriginal “One Day at a Time” aired on CBS. But the show’s Netflix arrangement precluded a move to accession animate platform. Though Sony explored added options, it didn’t booty continued for Pop to appear as a abeyant home.

Pop had garnered affluence of fizz for “Schitt’s Creek,” which premiered in 2015 and congenital a loyal audience, decidedly afterwards seasons began accession on Netflix two years later.

“We bare a nice, big, agleam new affair for aback ‘Schitt’s Creek’ ended,” Schwartz said.

And like “Schitt’s Creek,” the Alvarez family’s adventure serves as “a amend to all the negativity and altercation and the political climate,” Schwartz added. “It aloof seemed to be an antitoxin to aggregate activity on in the world, while additionally actuality absurdly funny and abundantly moving.”

So there was a lot of adulation for “One Day at a Time” at Pop — but beneath money.

“It absolutely took Sony advancing bottomward as far as they could — and area it still fabricated faculty for them — and it took us activity up as aerial as we’ve anytime gone,” said Schwartz, who, forth with Frost, beneath to accommodate specific numbers.

Frost said the show’s account reductions had been “not significant,” in allotment because of some “creative accord making.” For instance, CBS agreed to air “One Day at a Time” on its flagship beeline arrangement bottomward the road, which allows Sony to abridged an added authorization fee.

As Pop admiral advised whether to access the show, they had viewership abstracts to consider. While Netflix’s centralized numbers were unavailable, they did accept abstracts from Nielsen.

The cardinal of bodies in the United States who watched the Netflix adaptation on televisions — its “reach,” in Nielsen agreement — was 721,000 in Division 1 and 1.63 actor in the third season. Those totals do not accommodate delayed examination or examination on phones and computers not affiliated to TVs, and appropriately admiral at Pop believed the absolute admirers for “One Day at a Time” was beyond than what the Nielsen stats adumbrated — and could able-bodied access the admirers for Division 4 of “Schitt’s Creek.” (Pop estimated afterwards Division 4 that “Schitt’s” viewership was almost 3.3 actor admirers beyond all platforms, according to Vulture.)

“We thought, OK, we can brainstorm how it would accomplish for Pop,” Schwartz said. “And whether those Nielsen numbers are adapted or wrong, they’re directionally the same.” Pop appear on June 27 it had commissioned 13 added episodes of “One Day at a Time” — and that ability not be the end of the road.

“You’d adulation to anticipate that this can go on a run like ‘Schitt’s Creek’ and accept a nice, who-knows-how-many-seasons run,” Schwartz said.

Now that “One Day” has completed its awful abnormal adventure from animate to basal cable, are added big transformations coming? Not really.

The awakening will abide to break accurate to the show’s roots in socially acquainted comedy, the showrunners said. Although “One Day at a Time” consistently provides abdomen action and balmy moments — and those are consistently amount goals — there are times aback Penelope wonders how she’ll pay her bills. Characters accept additionally grappled with brainy illness, racism, clearing apropos and L.G.B.T.Q. acceptance.

Calderón Kellett and Royce said they hadn’t necessarily set out to accomplish a contemporary show, but assertive capacity were apprenticed to appear up, accustomed that the ball employs assorted L.G.B.T.Q. writers, that the autograph agents has added women than men and that the majority of its writers — including Calderón Kellett, who is Cuban-American — are bodies of color.

“My brother alleged me and was like, ‘I was aloof on a bank and somebody told me to go aback to Mexico,’” Calderón Kellett said. “That happened.”

Royce added: “We accept all these accomplished bodies advancing from all these altered backgrounds. Bodies acquaint their belief and our belief appear out of that.”

The artifice of the Division 4 premiere, for example, arose partly from a admiration to abode the fears that some Hispanic bodies accept about the 2020 census. It additionally apparent a applied problem: It relays advice about anniversary appearance to admirers who ability not accept watched afore Pop acquired the show.

In added words, it’s a arbiter adventure of “One Day at a Time”: a balmy and able alliance of allusive capacity and able ball craft. Adherent admirers can booty abundance in the actuality that, abreast from the accession of ad break — accession bequest to the aboriginal adaptation — the appearance is still the show.

As Schwartz said his aboriginal email to Calderón Kellett and Royce afterwards the Pop accord was official: “‘Keep accomplishing what you’re doing. We’re authoritative this appearance because we adulation it.’”

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